The Prélude et Fugue sur le nom d’Alain, Op 7, is a tribute to Duruflé’s friend and colleague and the brother of the distinguished organist. Jeong-Suk Bae Theory Seminar Spring Prélude et Fugue sur le nom d’ Alain, opus 7 At the end of the romantic period in organ music history, which was . Perhaps best known for his Requiem, often paired with Faure’s Requiem on recordings, Duruflé () studied organ with Vierne and composition with .
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Jazz Latin New Age. Another type of transition between sections happens at measure Surprisingly, Subject 1 enters again with the second statement of Answer 2. Section 1 Example 2. At the end of the prelude actually directly quotes the Lianties theme.
Maurice Duruflé – Prélude et fugue sur le nom d’Alain op. 7 () | CLASSICALCOM
Between many of the sections, there is a djrufle alternation between different rhythms, harmonies, melodies, and instrumental combinations The transitions in this prelude also point out the contrasts aoain each section. The fragment of Subject 2 is used in counterpoint against Subject 1 to build tension towards the climax of the work. Introspection Late Night Partying. In he was appointed in St. Views Read Edit View history. It may be particularly hard to hear it as a dance, but then one may consider that Vaughan Williams’ rather grim “Job” is subtitled “A Masque for Dancing.
Maurice Duruflé – Wikipedia
Romantic Evening Sex All Themes. This happens at measureas there is rapid contrast between the triplet figures of the left hand and the French six chords in right hand. From Vierne he learned forms and structures as well as organ’s capability.
Impressionism and Symbolism London: It includes a theme from Alain’s “Litanies. Complete Organ Works; Motets; Requiem. The same thing happens again on page 14, measure after the written-out ritardando.
This restatement serves as the closing gesture of Section B. The composer uses the first fugue subject in inversion and stretto; the tension is heightened by closing the distance between the subject entries of the stretto, and the whole ends in a blaze of glory.
Prelude and Fugue on the name A.L.A.I.N., for organ, Op. 7
In he entered at Paris Conservatoire and achieved great success while studying there. Ritchie and George B. From the YouTube comments: Ronald Ebrecht The Scarecrow Press: Click here to sign up. This is the same procedure as Maurice Ravel did for his Menuet sur le nom d’Haydn for piano solo. He had begun composing the work infollowing a commission  from the Vichy regime.
French Romantic Organ Music. Enter the email durucle you signed up with and we’ll email you a reset link. Remember me on this computer.
Phillip Truckenbrod Concert Artists. A slight increase rurufle tempo and a new theme in semiquavers bring an increase in tension, and this new theme is gradually combined with the first. Share on facebook twitter tumblr. Measure have the same type of closing gesture.
Wachet auf, ruft uns die Stimme. This Gregorian-based melody is in lydian mode and moves in stepwise motion. InLouis Vierne nominated him as his assistant at Notre-Dame. The result of this perfectionism is that his music, especially his organ music, tends to be well polished, and is still frequently performed in concerts by organists around the world.
It has quiet, lilting melody, with simultaneous high and low notes.
He published only a handful of works and often continued to edit and change pieces after publication. The left hand and the pedal punctuates the motive with chords. There are two thematic elements at play here: From Tournemire he inherited a mystical reverence of plainsong and an understanding of modal harmony. Historic Organs durufpe Boston.
He died in Louveciennes near Paris inaged